fortyseven

2022 Personal Movie Retrospective

2022-12-31 

Over the last couple years I’ve started using Letterboxd quite a bit to keep track of what I watch, and maintain a list of “to see” films. I’ve been trying to really make an effort to catch all those classics I’ve missed.

Historically I’d be lucky to watch at least one film a month, if that, and it was usually whatever the Marvel flavor of the month is, or something of similar mainstream nerd appeal.

But as of late, I’ve really started to come to appreciate “cheesy movies”, which should come as no surprise being a long time MST3k fan.

But could I do it without the riffing?

No. Fuck straight off.

But I didn’t strictly need Mike and the bots to have a good time, either. Thanks to OSI74 and Cinema Insomnia, and the gang over on the Twitch channel, I’ve been virtually drowning in weird, horrible horror and exploitation this year.

And, of course, a lot the mainstream stuff.

So, looking back on this year, here’s a quick rundown of the four/five star ones, along with a quick blurb.

Title/ReviewThoughts
Monty Python and the Holy Grail5I’ve seen pieces of this throughout the decades, but never properly saw it front to back. Discovered some new bits, too! The whole European/African question, in context, is a brilliant punchline. And I had no idea about the thing with the cops!
Prey5I don’t think anyone saw this one coming — a risky, unexpected twist on a franchise that should probably have given up by now. Glad it didn’t. More like this, please.
Everything Everywhere All at Once5The MCU’s attempt at the multiverse peaked with Loki, and by this point I’m burned out on it as a concept. But EEAaO owns the hell out of it. And it didn’t need two dozen films behind it to give it meaning. Not to be missed. A lot of heart.
The Batman5Another franchise that seemed to be burning out, but took a risk and went all-in on “the Twilight guy” as Bruce, leaning into a grittier noir-focused take on Batman. Yes, even more so than usual. The cinematography really makes it stand out, even if the film itself is a bit long.
Spider-Man: No Way Home5The epitome of a guilty pleasure. Even with the multiversal gimmick laid bare long before seeing it, it was still a delight having all three Spider-men on screen together. They had genuine chemistry that made it really enjoyable seeing them working together. Or even just hanging out bullshitting. But the best part? Having Andrew Garfield’s version of the character be redeemed IN FULL. That made it worth it, all by itself.
The Wizard of Oz5Much like Holy Grail, this is one that slipped past me, but I knew enough of it from cultural osmosis that it felt like I’d seen it already. There were plenty of bits I was unfamiliar with, but unlike Grail, those were largely forgettable. A real spectacle of a film, though. It’s reputation is well-earned.
Black Dynamite5A new favorite, taking a place along side Kentucky Fried Movie and Amazon Women on the Moon. And that’s a sacred spot on my shelf that I don’t just hand out to anyone. This WILL spawn many repeat viewings.
Glass Onion4.5Craig’s Benoit Blanc is a Sherlock for the modern age. This hilarious take-down of modern internet culture and bizarre billionaire worship ruffled a lot of feathers. Good.
Spirited4.5I’m not averse to musicals, but it REALLY has to be good. And I was not aware this WAS one, going in. I was hoodwinked! Thankfully it’s probably one of the best musicals I’ve seen in a long time, and it’s actually a pretty great twist on the usual, tired Christmas Carol concept.
The Thing From Another World4.5This took me by surprise. The 1980s remake of this is legendary, but I haven’t seen it. Itself another “knew it by reputation” film. I figured I’d see that before I ever laid eyes on this 1951 version of the story, but I’m glad I did. This has some of the most terrifying visuals I’ve ever seen in a film from the era. But that’s probably owed more to my relative lack of exposure. Still, this made an impact on me.
The Guardians of the Galaxy Holiday Special4.5The Guardians of the Galaxy will always be on another level from the rest of the MCU, and this just cements that belief for me. It’s barely 45 minutes long, but it packs a lot of love and heart into that tiny space.
Joker4.5I can’t believe I actually saw Joker. I swore I wouldn’t. But I finally caved. And I’m glad I did: it’s pretty amazing. A moody, violent exploration of mental illness. It’s fans tend to be garbage, though — I get into that, and why that might be, in the review.
The World’s End4.5A film wearing many hats. Is it an alien invasion movie? Or maybe it’s a metaphor for Pegg’s character stuck in the past? Or maybe it’s an action film involving shattering a child’s skull the wall? Maybe it’s all of these.
Chip ’n Dale: Rescue Rangers4.5This had no reason being as fun as it was. A blend of animation and real life film in the tradition of Roger Rabbit, and easily as enjoyable. This could have gone wrong in a million ways, but it’s clever writing and love of the material keeps it together.

Other notables, without comment: Confess, Fletch, Fletch, The Munsters, Red Dwarf: The Promised Land, Jaws, Weird: The Al Yankovic Story, and a whole lot more.

So, damned good year for films for me. Hoping to keep up the pace for 2023. 🥵

Art Crawl: Bad Grandmas in Prison 4 Life

2022-12-30 

Review: Star Trek Prodigy (Season 1)

2022-12-29 

Does Prodigy have the best, strongest first season of Star Trek since the original series?

I’m not sure… but it’s either that or Strange New Worlds.

There’ll be a second season, right? …right?!

But frankly, I’m edging closer towards Prodigy. They’re BOTH great, don’t misread me, but it feels like Prodigy had a much bigger narrative hill to climb.

They successfully built, from scratch, wholly original characters in a brand new situation. And it was aimed at a new, younger audience who might be unfamiliar with Star Trek while still making it engaging for both new and old fans.

One big example: I bloody HATED Dal for several episodes. Generic, childish, obnoxious teenager archetype. But as the series progresses you can actually feel a very natural maturation that doesn’t feel forced. It feels earned. Same goes for the rest of the cast.

It’s just a damned GOOD show, damn it.

Can’t wait for Season 2! 🍻

⭐⭐⭐⭐⭐

Review: The Munsters (2022)

Not gonna lie: I love the neon lighting in this film. It’s excessive to the point of actually working.

Garish. Crude. Extremely corny and cheesy.

Those bits I don’t have a problem with — it’s fun. I had a great time, ultimately. It’s clearly a love letter in the form of an origin story for The Munsters.

So it’s pretty much as expected, if you’ve seen the trailer.

It’s a flawed film, but I want to protect it, despite them.It’s biggest problem: an excessive runtime given the content.

It has a very strong start, don’t get me wrong, but it feels like there was only enough story for half a flick. The major conflict of the story is essentially resolved just over half-way through the film. Both the concern between Lily’s scheming brother, and The Count trying to chase off Herman.

It’s kind of jarring — Grandpa really hated Herman, but once the marriage is over and they’ve been evicted, it’s like a switch is flipped and he’s a happy member of the family, like in the original series.

At that point any actual narrative challenge in the film evaporates as it coasts down to the other side, straight into the credits (complete with a recreation of the original title sequence).

Still, it’s earnest as fuck, and the cast is a delight. All the sight gags and attention to detail is a lot of fun. Absolutely adored the stylish touches everywhere, including that over-saturated neon vibe.

If you saw the trailer and liked what you saw: there are no surprises. It’s that, but two hours long.

⭐⭐⭐

https://letterboxd.com/drfortyseven/film/the-munsters/

LOVE this cover.

Offensive Technology

It’s the same story every time.

Oh woe! Life is so awful! The magic silicon smoke machines will take my life away!

Trog crap like this meme, and the rigid, binary anti-AI dipshittery, is essentially accepting the history of abuse by corporations as the default outcome of technological advancement.

As long as there are free, open expressions of this technology, it’s not.

Unless you let it.

So here’s my plea: instead of resigning to filtering every big technological advancement through the melodramatic lens of dystopian oppression, grab the wheel. Start thinking of ways to use those tools both defensively and offensively FOR the people. How can these tools improve life? Think about 3D printing, and how it enables people to create their own prosthetics. Things like that.

We should be pushing the narrative towards people-friendly, empowering positions instead of wallowing in shallow meme-quality victimhood.

Under Reconstruction!

2022-12-11 

Still here! Just been really busy with a bunch of stuff.

And I kind of made it less than easy to write quick, fun posts, since this is a static site… and I’m kind of monkeying around with Markdown files. 😅

Now that I’ve put some prior projects to bed, I’m in the middle of writing my own CMS specifically for this site. Not completely from scratch, but it should at least tick all the boxes I want.

See you soon! 🥃

Oh, Twitter’s dead, baby. Hit me up on Mastodon!

Slack Injection TV – 005 – The Cinematic Experience

Slack Injection TV returns after an extended obsession attempting to sync Divine’s mouth movements up to Lordi’s vocalizations.

Yeah, it’s gonna be that kind of episode.

Backup: archive.org

In this episode…

On Future Artisans

2022-08-14 

We have this near wizard-level magical technology emerge that can create, at our written direction, artistic visions never before conceived.

Instead of excitedly embracing it as a powerful democratizing agent allowing you to explore new ideas, and kick start your own creative juices, a portion of the creative community is utterly terrified.

“They’re stealing from me!”, “Nobody will buy my art now!”, “My work is meaningless!”

But you can see how capitalism caused that pain, right? In order to stay afloat, you have to optimize your skills in order to maximize profit. If you’re very lucky, you’ll find an intersection between that and a creatively satisfying job. But most are not that fortunate.

I’m not sure what I can say to ease that mindset. All I know is that you can’t put technological genies of this caliber back in the bottle.

You’ll either go with the flow and find ways to live with it, or… well, you’ll have a real bad time going forward.

I know “adapt or die” is not what anyone wants to hear, but it’s on the table whether we like it or not.

Robot automation is estimated to have cost the jobs of over 400,000 people since 1990. Dangerous, monotonous work now done safely by machines. New roles inevitably fill the vacuum; hopefully those new jobs bring a higher quality of life.

Despite that particular topic also being controversial, automation is much easier to understand as a ‘positive’ in that light. Having these kinds of game changers affect something as core to the human experience as artistic expression, well… yeah, that’s on a whole other level, admittedly.

I’m a programmer. We’ve already started seeing the early exploration of AI-based automation.

Maybe in a decade I can simply roll up to a terminal prompt and describe the functionality I want to see in a website. A minute later it’ll grind out a tarball for me to inspect, make a few changes to, and (hopefully) run a security audit on.

As long as the technology was proven and solid… would I be out of a job?

Quite possibly.

But there’s also been a whole slew of potentially fun side projects I might have worked on if I didn’t have to slog through the drudgery of getting there. My barrier to entry would be lower, and I can just get on with the fun parts of programming.

Frameworks like Express and Laravel basically do this already, in a sense. Game engines like Unity and UE, as well.

None of that comes anywhere near the level of “Computer, create an X with Y that does Z.”

At least not yet.

Clearly the the die has been cast, and the path towards that day is already in place.

The future is always coming, by fits and starts… and occasionally in gushing fountains, like with AI-driven art.

So, while I may not be an artist or musician, I can at least sympathize with the existential “threat” being felt. It’s just closer to your doorstep than mine at the moment…

One day, if I’m still around, I’ll be staring down the barrel of this, too. What will I do when my primary means of income no longer exists?

I’ll have to adapt.

Hopefully, quite prosperously. 🍻